Books On Copyright Law

Fair Use, Copyleft All Wrongs Reserved, Books On Copyright Law, Case Law

Copyright Law in the Digital Society: The Challenges of Multimedia by Tanya Frances Aplin

Writer's Guide to Copyright & Law: Learn What Rights You Have as a Writer and How to Enjoy Them; What Obligations You Have, and How to Comply with The - by Helen Shay

Copyright And Other Fairy Tales: Hans Christian Andersen And the Commodification of Creativity by Helle Porsdam (Editor)
'This is not a lighthearted book, but rather an inspiring tale that challenges the development of copyright. A detailed historical analysis of copyright leads to fundamental questions about the role of copyright in society. From a historical perspective a tale of failure blamed on commodification surfaces, but the book also offers perspectives on the future, i.e. a future with or without copyright as we know it. Maybe after all there will be a fairy tale ending for the reader.' - Paul Torremans, University of Nottingham, UK
'Once the preserve of a few legal specialists, the wider implications of copyright law are more and more the concern of literary scholars and cultural analysts as well as of increasingly sceptical lawyers. Helle Porsdam is to be congratulated on assembling and editing this interesting collection of essays, which rightly opens up even further the debate on the cultural role of copyright law, one in which every one of us should participate.' - Ruth Towse, Erasmus University Rotterdam, The Netherlands
The present state of copyright law and the way in which it threatens the remix of culture and creativity is a shared concern of the contributors to this unique book. Whether or not to remain within the underlying regime of intellectual property law, and what sort of reforms are needed if we do decide to remain within this regime, are fundamental questions that form the subtext for their discussions.
One opinion that manifests itself in the book is that we should not reject present copyright law altogether, but rather find ways to fit it to the new digital technology, whilst others take a more sceptical view. They argue, for example, that the solution to copyright-related problems is simply to give up on copyright law altogether. The life and work of Danish writer Hans Christian Andersen presents an ideal focus and/or point of departure, giving the contributors a historical and well defined framework for their discussion of the various problems in relating copyright to cultural creativity.
Copyright and Other Fairy Tales will be of great interest to scholars of intellectual property from a diversity of fields including law, economics, and cultural studies, as well as historians interested in the link between cultural creativity and the role of copyright in promoting (or preventing) such creativity.

Patent, Trademark, And Copyright Laws (Patent, Trademark, and Copyright Laws) (Patent, Trademark, and Copyright Laws) by Jeffrey M. Samuels (Editor)
The leading reference on patent, trademark, and copyright laws.
Patent, Trademark, and Copyright Laws includes Title 35 (Patents), Title 17 (Copyrights), and Chapters 22 and 63 of Title 15 (Trademarks and Technology Innovation) of the United States Code. It also includes miscellaneous sections of the United States Code and other laws relating to intellectual property. Get the new legislative developments affecting U.S. intellectual property law with the 2006 Edition.
The 2006 Edition of Patent, Trademark, and Copyright Laws includes a new section on international treaties and agreements. The section contains the text of the Patent Cooperation Treaty and the Madrid Protocol, which facilitate the filing abroad of patent and trademark applications, respectively. The new section also includes the Uniform Domain Name Dispute Resolution Policy, which governs the adjudication of domain name disputes involving the top-level domains .com, .org., and .net.

A Treatise On The Law Of Copyright: In Books, Dramatic And Musical Compositions, Letters, And Other Manuscripts, Engravings And Sculupture - by George Ticknor Curtis

Internet Surf and Turf Revealed: The Essential Guide to Copyright, Fair Use, and Finding Media - by Barbara M. Waxer, Marsha Baum
This one-of-a kind book provides important, easy-to-understand information on copyright laws and the concept of fair use as they relate to media on the Internet.
Barbara Waxer relishes the challenge of transforming the complex into common sense. Over the past 20 years, she has translated Chinese literature, implemented programs for grassroots nonprofits and the Department of Energy, and written graphics software textbooks. The Detroit native loves living in New Mexico. Professor of Law Marsha L. Baum teaches intellectual property courses including Copyright Law and Information Technology and the Law at the University of New Mexico. She has been in academia for over 20 years and has taught intellectual property in law schools and other settings for over a decade.

Copyright Catechism: Practical Answers to Everyday School Dilemmas - by Carol Simpson
This companion volume to Copyright for Schools: A Practical Guide, Fourth Edition consists of 177 actual questions from educators facing copyright dilemmas in schools, answered with practical applications of copyright law. These coping strategies for real-world copyright situations provide useable solutions for everyday questions about copyright. Examples involve print, online, multimedia, video, audio, broadcast, for-profit, and fair use copyright dilemmas in an easy-to-follow question and answer format.
Linworth Publishing, Inc., publisher of professional development resources for K-12 educators, is excited to announce the newest copyright resource written by Carol Simpson, a leading industry expert in copyright for schools. Her new book, Copyright Catechism: Practical Answers to Everyday School Dilemmas, is a collection of questions and answers drawn from her "Copyright Questions of the Month" column in LIBRARY MEDIA CONNECTION, the professional magazine for school library media and technology specialists.

Choice of Law in Copyright and Related Rights: Alternativesto the Lex Protectionis (Information Law) by Mireille Van Eechoud, Mireille M. M. Van Eechoud
Nobody denies that the traditional territorial approach to copyright and other intellectual property rights has come under pressure. Yet it persists. Faced with the need to determine the applicable law in cross-border cases, lawyers everywhere wrestle with the implications of the territorial nature of copyright and related rights.
In this book Mireille van Eechoud clears the way to the formulation of conflict rules that reflect the purpose of copyright law- to protect creators and stimulate the production and use of information- without reverting to old-fashioned notions of territoriality. She shows how the applicable law can be determined for four distinct legal avenues of intellectual property law:
*Which exclusive rights exist in an intellectual creation and for how long;
*Who is considered to own such right;
*How can these rights be transferred; and
*What continues infringement of copyright and related rights.|
Mireille van Eechoud shows how, when each of these questions is approached in the light of the different allocation principles used in modern choice of law, a new clarity begins to emerge that promises in time to build a set of conflict rules well suited to the unprecedented copyright and related rights issues that we find so difficult to resolve today. Her in-depth analysis draws in the classis multilateral conventions and treaties, underlying policies, technological and economic developments, utilitarian grounds versus justice considerations, and issues of infringement in the digital environment.

Patent, Copyright & Trademark: An Intellectual Property Desk Reference (Patent, Copyright and Trademark) by Richard Stim
The laws covering intellectual property--those products of the imagination with commercial value, such as fictional writing, software designs, product names, and mechanical inventions--have long boggled the minds of the uninitiated. With the advent of online commerce and publishing, the issues have only gotten more confusing. The new edition of Patent, Copyright & Trademark: A Desk Reference to Intellectual Property Law, by attorney Stephen Elias, offers plain-English explanations and practical advice on this increasingly complex topic.

Fair Use, Free Use, And Use by Permission: How to Handle Copyrights in All Media - by Lee Wilson
• Who needs this book? Only every writer, photographer, illustrator, designer, businessperson, musician, songwriter, filmmaker, teacher, researcher, advertiser, and Web designer in the United States
•How to find copyright owners, request permissions, and keep records
•Easy-reference copyright duration chart, form agreements, form letters, resources, and checklists
Permissions - they’re enough to make anyone crazy. Thank heavens there’s Fair Use, Free Use and Use by Permission, the one-volume reference that is sure to save the sanity of thousands of grateful readers. Writers, photographers, illustrators, designers, teachers, researchers—anyone involved with intellectual property needs this practical, straightforward guide to copyright law. Find out what constitutes fair use, how to get permissions, and how to protect creative work, plus learn about copyright infringement, public domain, and much more. Illuminating true-life stories enliven the ins and outs of copyright law, and helpful charts, resource lists, and forms make the permissions experience vastly more manageable. Let a respected intellectual property lawyer show the way through the copyright maze!
Lee Wilson has been an intellectual property lawyer for more than twenty years. Her previous books include The Copyright Guide, The Advertising Law Guide, The Trademark Guide, and Making It in the Music Business. She lives in Pleasant View, TN

Antitrust, Patents And Copyright: EU And US Perspectives (New Horizons in Competition Law and Economics) - by Francois Leveque (Editor), Howard A. Shelanski (Editor)
‘This volume offers a fresh perspective on the IP/antitrust interface. Its blend of economic policy analysis and provocative policy prescriptions is particularly noteworthy. It is noteworthy for the scope of its coverage (patent, copyrights, and database protection) and international focus. I would highly recommend this book to anyone seeking a sophisticated comparative perspective on the harmonization of IP and antitrust enforcement policies.’ – Alden Abbott, US Federal Trade Commission
In modern markets innovation is at least as great a concern as price competition. The book discusses how antitrust policy and patent and copyright laws interact to create market dynamics that affect both competition and innovation.
Edited by François Lévêque, Professor of Law and Economics, École des mines de Paris, France and Howard Shelanski, Professor of Law, School of Law, University of California, Berkeley, US

Math You Can't Use: Patents, Copyright, and Software - by Ben Klemens
The field of software is awash in disputes. Market participants and analysts routinely disagree on how computer programs should be produced, marketed, regulated, and sold. On one subject, however, just about everyone can agree: the current intellectual property protection regime for software is a mess. At present, all of the traditional means of delimiting intellectual property--patents, copyrights, and trade secrets--are applied to software in one manner or another. Congress has even invented a new type of law for cases in which these may be insufficient, with the Digital Millennium Copyright Act.
The result is widespread confusion, along with the proliferation of nuisance suits. To date, the U.S. Patent and Trademark Office has granted more than 170,000 software patents, some on applications as commonplace as the pop-up window. Each of these patents gives the holder the right to sue others where no such right existed before, and so gaming of the system abounds. Software providers are forced to funnel millions of dollars annually into defending themselves against lawsuits rather than developing better software. The wave of litigation may end up stifling innovation and hobbling the open source movement, one of the most promising developments of recent years.
How did the situation arise? And where should we go from here? In Math You Can’t Use, Ben Klemens draws on his experience as both a programmer and an economist to tackle these critical issues. The answer to the first question, he explains, is simple: while patent laws are intended to apply to physical machines, software is something quite different. Software is not just another machine, and it is not Hamlet with numbers. It is a functional hybrid that can be duplicated at no cost, it is legible by computers in some forms and by humans in others, and it has a unique mathematical structure. All of these facts have to be taken into consideration in designing an appropriate intellectual property regime.
Designing such a system is a more difficult task. Klemens considers several alternatives, from modifying the existing rules to eliminating software patents in favor of a copyright-centered regime. Ultimately, he concludes, it is up to Congress to determine how software should be protected.
Ben Klemens is a guest scholar at the Center on Social and Economic Dynamics at the Brookings Institution, where he writes programs to perform quantitative analyses and policy-oriented simulations. He also consults for the World Bank on intellectual property in the developing world and computer-based simulations of immigration policy. He received his Ph.D. from the California Institute of Technology.

Copyright cases and Materials 6th ed, Case Supplement and Statutory Appendix -
by Robert A. Gorman, Jane C. Ginsburg
Supplement to the author's law school casebook, utilizing statutory provisions, pending bills, legislative history, court decisions, problems for class discussion, useful pictoral illustrations, and comprehensive textual notes to provide an overview of the copyright law field.

Unfair Competition, Trademark, Copyright and Patent Selescted Statutes and International Agreements Supplement - Paul Goldstein
Statutory casebook supplement containing the major statutes affecting unfair competition, trademark, copyright and patent law. Includes Uniform Trade Secrets Act, Trademark Counterfeiting Act of 1984, Copyright Act of 1976 as amended, and international agreements. Summary of Contents Chapters 1. Miscellaneous Materials: Unfair Competition, Trademark and Trade Secret 2. Federal Law Materials: Unfair Competition and Trademark 3. Federal Law Materials: Copyright and Patent 4. International Law Materials

Copyright And Human Rights: Freedom Of Expression, Intellectual Property, Privacy (Information Law Series) - by Paul L. C. Torremans (Editor)
First Sentence: When the Canada House conference in which this collection of essays is rooted was set up and subsequently when the topics and the essential components of a book treating the issue of copyright, and other intellectual property rights, and human rights were discussed amongst the series editor, the editor of this collection and the contributors it seemed obvious to think of the issue as one involving copyright and intellectual property rights in general on the one hand and human rights on the other hand.

Copyright Law Is Obsolete by Anna Mancini
Before the advent of writing, the human body was used as the only storage device for information, and memory was much valued. Knowledge was passed from person to person through speech. It was obvious that, as the speech could not be touched and seized, knowledge could therefore not be owned in the same way as we own objects. Knowledge was clearly a matter of human relationships. With the invention of writing, all possible means were used to store information: bones, shells, clay, stone, animal skin, paper, wood, and metal. They all shared a common point: they materialized information. This led to people and lawyers coming to believe that knowledge could be an object of property, and ultimately, the concept of intellectual property. Considering the author's right as a right of property was not of great inconvenience as long as knowledge remained materialized. As digitalization has once again dematerialized knowledge, we have returned to the beginning of the story, where the relationships between people were the most important point about sharing and passing information. From this perspective, it is easy to understand why the now outdated copyright laws and business models of the printed book industry should be modernized. They should take more into account the balance of people's relationships, instead of staying focused on the defense of an impossible property. In the emerging virtual book market - made possible by the existence of digitalization, print-on-demand and the Internet - intellectual property is not the only impossible legal concept. Justice as the art of sharing scarcity is also useless. Easy to read, this book proposes guidelines to modernize copyright law and a philosophy of justice suited to the virtual economy. Without it, it will be impossible either to create an efficient copyright law or to collectively draw on all the benefits that new communication technologies can bring us.

Moser on Music Copyright - by David J. Moser
Knowledge of copyright law is essential to anyone who hopes to have a career in music. It fosters an environment where musicians and songwriters can share their creations with the public and know that their music will not be manipulated or misused without their consent and, most important, that they will be paid for their work. Without copyright law, there would be far less incentive for anyone to make music, and almost no incentive for record labels to produce, market, and sell it. Understanding copyright law is particularly relevant today, as Internet file sharing and CD burning have made music copyright law front-page news. In this book, David J. Moser provides students, educators, lawyers, and anyone in the music industry with a thorough understanding of copyright law, what it protects, the benefits of registering a copyright, and what to do when your copyright has been infringed. Controversies involving copyright and online music are also discussed in detail, with case studies of the recent blockbuster cases in this area, including the lawsuits against Napster, Grokster and more. Although written in clear and readable language, this book is an in-depth resource providing detailed explanations of copyright law's application to music and has been used as a text by institutions such as Fordham University Law School, Loyola University, New York University, Northeastern University and UCLA.
David Moser is a professor in the Mike Curb College of Entertainment and Music
Business at Belmont University where he teaches courses in Intellectual Properties,
Legal Issues in the Music Industry, Music Publishing, and Multimedia Law. Moser is
also an attorney with more than ten years of experience in intellectual property and
entertainment law. He represents clients such as record companies, music publishers, songwriters, recording artists, producers, managers, and Internet businesses. He also teaches an online copyright course at UCLA Extension School and is a recipient of a Fulbright Scholar Award to conduct research on intellectual property piracy in the Philippines.

Copyright For Schools: A Practical Guide - by Carol Mann Simpson
This resource, which has become the definitive guide for librarians, only gets better and better as Simpson dives into murky and ever-changing digital waters. She expands the scope of the previous edition (2001), particularly in aspects of law and technology. Following general chapters on copyright law, public domain, and fair use are chapters on specific types of materials and uses: print, audiovisual, multimedia, music, computer software, and distance learning. Each section presents typical activities that occur in a school setting, such as students adding clip-art to Powerpoint projects or a librarian bookmarking Web sites for the next day's class. The issues are discussed in terms of the rules and guidelines for use. Specific questions, such as, I have a teacher who… are answered in boxes throughout the book and hit the mark for most library-media dilemmas. Sample forms appear within chapters for off-air taping requests, permission requests, and more. An interesting chapter titled The Software Police sheds light on software piracy and measures being formed to prosecute violators, aided by provisions under the Digital Millennium Copyright Act (DMCA). Simpson's accessible style is reflected by simple language and an uncluttered format. A sample copyright policy, copyright and plagiarism guidelines for students, and a copyright infringement reporting form are among the topics that appear in the appendixes, followed by an extensive cross-referenced index. This exhaustive revision is a first purchase for school librarians.–Vicki Reutter, Cazenovia High School, NY
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Revised, expanded, and updated, this classic primer for K-12 library professionals now consists of 16 chapters. Chapter 1 covers the basics of copyright law. Chapter 2 brings together information about public domain materials, while chapter 3 addresses fair use and its four main criteria. Chapters 4, 5, 6, and 7 focus on specific formats, including MP3. Chapters 8, 9, and 10 center on distance learning, the Internet, and computer software. Chapters 11 through 15 consider administrative topics such as school library exemptions, permissions, and copyright policies. Chapter 16 provides 15 appendixes ranging from a sample copyright compliance agreement to a reproducible copyright -questions-and-answers brochure. Most chapters include a works cited list. Simpson's book adds another strong voice to the professional copyright section that should already include Complete Copyright (ALA, 2005), Copyright for Teachers and Librarians (Neal-Schuman, 2004), and Copyright in Cyberspace 2 (Neal-Schuman, 2005). Esther Sinofsky
Copyright © American Library Association. All rights reserved

Copyright and Free Speech : Comparative and International Analyses - by Jonathan Griffiths, Uma Suthersanen
Written by a team of leading scholars and practitioners, this book analyzes the potential for interaction and conflict between copyright and free speech. Recent examples include the series of First Amendment challenges that have been brought against the US Digital Millennium Copyright Act and
Ashdown v. Telegraph Group in the UK. The analysis draws upon a wide variety of viewpoints and jurisdictions to provide a sustained study of the subject suitable for use by both practitioners and academics.

The Copyright Handbook: How To Protect & Use Written Works - Stephen Fishman
Copyright law is a complex field, and it's crucial for writers to understand what's entailed. Stephen Fishman covers what a copyright is, how it's created and protected, limitations and transfer of ownership, how long it lasts, and what copyright infringement is all about. There are chapters on copyright registration, copyright notice, and how to deal with errors or omissions. Fishman also wades into the issues of derivative works and compilations, works for hire, and jointly authored works. He also tackles the confusion of copyrights in the online world of electronic publishing; the book is worth its price for this chapter alone. The appendix contains a variety of sample forms and blank forms and a PC-formatted disk of the same material. --This text refers to an out of print or unavailable edition of this title.

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