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LOOKING GLASS SELFSociologyindex, Sociology Books 2011 Developed by C. H. Cooley (1864-1929) to describe the social nature of the self and the link between society and individual. In this formulation social interaction is like a mirror, it allows us to see ourselves as others see us. LOOKING GLASS SELF was an early formulation of symbolic interactionism but less influential than that of George Herbert Mead. From Charles Horton Cooley, Human Nature and the Social Order. New York: Scribner's, 1902, pp. 179-185. The Looking-Glass Self The social self is simply any idea, or system of ideas, drawn from the communicative life, that the mind cherishes as its own. Self-feeling has its chief scope within the general life, not outside of it; the special endeavor or tendency of which it is the emotional aspect finds its principal field of exercise in a world of personal forces, reflected in the mind by a world of personal impressions. As connected with the thought of other persons the self idea is always a consciousness of the peculiar or differentiated aspect of one's life, because that is the aspect that has to be sustained by purpose and endeavor, and its more aggressive forms tend to attach themselves to whatever one finds to be at once congenial to one's own tendencies and at variance with those of others with whom one is in mental contact. It is here that they are most needed to serve their function of stimulating characteristic activity, of fostering those personal variations which the general plan of life seems to require. As we see our face, figure, and dress in the glass, and are interested in them because they are ours, and pleased or otherwise with them according as they do or do not answer to what we should like them to be; so in imagination we perceive in another's mind some thought of our appearance, manners, aims, deeds, character, friends, and so on, and are variously affected by it.
A self-idea of this sort seems to
have three principal element: the imagination of our appearance to the other person; the
imagination of his judgment of that appearance, and some sort of self-feeling, such as
pride or mortification. The comparison with a looking-glass hardly suggests the second
element, the imagined judgment, which is quite essential. The thing that moves us to pride
or shame is not the mere mechanical reflection of ourselves, but an imputed sentiment, the
imagined effect of this reflection upon another's mind. This is evident from the fact that
the character and freight of that other, in whose mind we see ourselves, makes all the
difference with our feeling. We are ashamed to seem evasive in the presence of a
straightforward man, cowardly in the presence of a brave one, gross in the eyes of a
refined one, and so on. We always imagine, and in imagining share, the judgments of the
other mind. A man will boast to one person of an action--say some sharp transaction in
trade--which he would be ashamed to own to another.
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