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Zeitgeist
Sociologyindex, Sociology Books 2011
Zeitgeist is the spirit of the age; the trend of thought or feeling in a period,
especially as reflected in its literature, art, etc.
Zeitgeist is the spirit of the time; the taste and outlook characteristic of a
period or generation.
Double Zeitgeist In Architecture: Co-Teaching As Opposition To The Sound Building
Design Studio
ABSTRACT: "Traditionally, every era has manifested a unitary organizational
strategy called a zeitgeist, or spirit of the times. Architecture has always had the
capacity to both mirror and be driven by the zeitgeist...What characterizes the Rome
of Sixtus V, Hausmann's Paris, or the work of Le Corbusier, whether mirroring or
transforming, is that their plans derived from a singular body politic, an operating and
animating principle where a unitary world view was possible. Now, ironically, at a time
when the entire world can be seen as part of a singular operating network, such a singular
world view is no longer possible. There is no one body politic and, thus, no single
zeitgeist." - Peter Eisenmann, "Confronting the Double Zeitgeist",
Architecture, October 1994.
Eisenman continues in his essay to describe today's world in terms of a double zeitgeist,
where "two spirits of the times" co-exist as separate entities. He describes the
first zeitgeist as a traditional one based on land, industry, and people. Examples include
the newly formed nations, such as Serbia and Slovakia that have been formed based on land,
language, culture and specific ethnic identities. The second zeitgeist is based on
information, communications, and technology, and include the emergence and increasing use
of jet airplane travel, fax machines and the World Wide Web. Thus, with the first
zeitgeist, there exists a tendency to concentrate on the particular local conditions and
place, whereas with the second zeitgeist there exists a tendency to concentrate on the
global and general.
What then does this mean in terms of architecture, and more specifically the teaching of
architecture. Co-teaching as opposition can be one expression of the double zeitgeist, in
this case it expresses the different attitudes of our times to design and building. This
opposition manifests itself in the concurrent teaching of at least two very different
design philosophies in one design studio. Such an opposition took place in the teaching of
graduate design students at the University of California at Berkeley. The double (or
triple) zeitgeist was expressed in the rather different views of the faculty who taught
this course, (the author was one of them).
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